The deterritorializing flight of Germán Marín’s A Hundred Eagles

Abstract

This article has like as objective to analyze the novel The hundred eagles (1997) of the writer Chilean Germán Marín (1934). We study the text from the theoretical mark bigger than the postmodern reflection; especially, the postestructuralista, the one that emphasizes the experimental approach to the literary texts. The project of writing of Germán Marín deterritorialize the traditional notion of literature and of narrative and, through this process, diverse dimensions and specific institutions, among others: the language, the family and the army. All that which, it would advance to a new narrative aesthetic paradigm, where to be written constitutes in an investigation on the genesis of the process of the writing and, maybe, of the same creation.