THE DIALECTIC BETWEEN AUTOFICTION AND THE PLURAL NOVEL IN CONSUELO TRIVIÑO’S WORK TRANSTERRADOS

Abstract

It is intended to examine the narrative construction of Transterrados, novel by the Colombian writer Consuelo Triviño Anzola. Attention will be paid to the self-fiction as a technique that creates a game of ambiguities between the reflected reality, the difficult life of Latin American immigration in Madrid, and the fictional fiction that justifying the story. The subject, in a novel that has a lot of coral, transformed into a Spanish who gradually moves from being an observer to a co-protagonist, denounces behind the screen of self-fiction, without tepidity or resentment, a lacerating situation that she tries to hide; while giving voice to characters without social voice.