¿POR QUÉ GRITA ESA MUJER? THREE POETICS PROPOSALS FOR A DIFFERENTIATED SUBJECTIVITY

Abstract

In this article I propose a reading of three fundamental texts of the 80s-90s women’s Latin-American poetry: Naciste pintada (Carmen Berenguer, 1999), Noches de adrenalina (Carmen Ollé, 1981), and Ova completa (Susana Thénon, 1987). My starting point it will be the hypothesis of the differentiated subjectivity by genderembodiment (women’s writing) and a aesthetic-politic of the domestic issues, daily and micro-political, which in each one of these texts draws a space of deliberation and criticism on writing and the ways of generating the subjectivity/textuality that has arisen because of the development of the aesthetic regime of the postautonomy.