Eduardo Pavlovsky: Teatro del estupor

Authors

  • Carolina Muñoz P. Universidad de Concepción

Keywords:

Poetic of the stupor senses, experimentation, social body, victimization, violence, paranoia, power legal, authority, appropriation, state terrorism, death, figure, body figurations, scenic unity, macroescene

Abstract

The Theater of the stupor describes a theatrical scene that explores subjectively the limits of the psychic disruption in a movement of collective exorcism. The social and individual terrors should be conjure since a concrete political/routine reality and transmitted in a language (joint of the scenic devices of representation) theatrical of collision, that in such quality, form splits of the social ethics of the fury. This perspective is bases on the study of the theatrical text and of the main vital practices of E. Pavlovsky; to know, the social criticism and the therapeutic one. And in the how these practices are intertwined for the configuration and refiguration of the collective images.

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Published

2004-12-30

How to Cite

Muñoz P., C. (2004). Eduardo Pavlovsky: Teatro del estupor. Acta Literaria, (29), 69-92. Retrieved from https://revistas.udec.cl/index.php/acta_literaria/article/view/4770

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