La línea esquizo: París situación irregular y El Paseo Ahumada de Enrique Lihn

Abstract

The Enrique Lihn’s poetic project constantly finds delirious forms to face the suffocating realities to which it is related. The writings of París situación irregular (1977) and El Paseo Ahumada (1983) constitute forms to make be delirious to the language, to make it flee in a processes of deterritorialization. The writer it verifies in the reality and the language the knots where the power becomes microscopic, and develops a writing that returns it visibleand resists it.