IMAGES IN MOTION: THE PAINTINGS INVENTORIES OF FOUR BISHOPS IN THE VICEROYALTY OF PERU (1653-1707)

Authors

  • Agustina Rodríguez Romero CONICET-UNTREF

DOI:

https://doi.org/10.29393/AT530-6IMAR10006

Keywords:

inventories, paintings, material culture, bishops, Viceroyalty of Peru

Abstract

This article examines the inventories of paintings belonging to four bishops of the Viceroyalty of Peru: Pedro Ortega Sotomayor, Manuel de Mollinedo y Angulo, Juan Queipo de Llano and Luis Francisco Romero. These inventories, made before the bishops assumed their posts, stand out from other similar records as they were com- piled at a pivotal moment in the lives of these individuals –sometimes after a journey and always just before embarking on a new one to assume their new roles. A comparative analysis of the painting sections allows us to identify the unique characteristics of these registers and the bishops’ preferences and strategies in assembling their collection of paintings.

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Author Biography

Agustina Rodríguez Romero, CONICET-UNTREF

Doctora en Teoría e Historia de las Artes. Profesora titular Universidad de Buenos Aires; Investigadora adjunta, CONICET-UNTREF, Buenos Aires, Argentina.

Published

2024-12-31

How to Cite

Rodríguez Romero, A. (2024). IMAGES IN MOTION: THE PAINTINGS INVENTORIES OF FOUR BISHOPS IN THE VICEROYALTY OF PERU (1653-1707). Atenea, (530), 113-134. https://doi.org/10.29393/AT530-6IMAR10006

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