The frame of sense on the rupture and new meaning of democracy in Chile, 1988-1992: a “historical emergency" period

Abstract

It's analyzed a documentary which can be clasified as cinema of the memory or author's cinema, which is based on other documentary pieces which are inscribed in one style, an ideological line and a determinated context such as social cinema on sixties decade. Subjetivity and persuasion are basic elements that, from some technic sources, director give to the public from an emotive component on secuencies and narration which accompany images. It's a movie of historical divulgation.