Hacia una estética de la desaparición en la poética de Tomás Harris

Abstract

This article focuses on the poetry of Tomas Harris (1956), from the image culture perspective, assuming this approach has been scarcely applied in previous works, with only a few exceptions. Moreover, this work studies the form in which some author’s texts are culturally determined by this turning point in the Chilean poetic tradition, taking into
account some rhetoric elements, which evidence the presence of this new paradigm.