Helga Krebs, Between Chile and Mexico. A Tour of her pictorial work (1967-2010)

Authors

  • Blanca Gutiérrez Galindo Universidad Nacional Autónoma de México

DOI:

https://doi.org/10.29393/At526-8HKBG10008

Keywords:

Unidad Popular, Exile, Abstraction, Political Realism, Surrealism

Abstract

The work of the painter Helga Krebs is almost unknown both in Mexico and in Chile. Before her exile in Mexico in 1973, she played a prominent role in the aesthetic-political program of the Unidad Popular. From 1973 until the year of her death,
in 2010, Krebs lived in the northern city of Hermosillo, Sonora, where she produced a vast plastic work. Through the analysis of some of her works, we will argue that the work created in Mexico shows a break with that produced in Chile due to the territorial and internal exile experienced by the painter. The objective of this text is to describe the journey traveled by her works through abstraction, political realism and pop, and surrealism, to show its points of rupture and continuity.

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Author Biography

Blanca Gutiérrez Galindo, Universidad Nacional Autónoma de México

Doctora en Historia del Arte. Profesora de arte moderno y contemporáneo en la Facultad de Artes y Diseño de la Universidad Nacional Autónoma de México.

Published

2023-01-04

How to Cite

Gutiérrez Galindo, B. (2023). Helga Krebs, Between Chile and Mexico. A Tour of her pictorial work (1967-2010). Atenea, (526), 177-199. https://doi.org/10.29393/At526-8HKBG10008

Issue

Section

Artículos