Naciste pintada by Carmen Berenguer or the movement of literary/sexual genders

Abstract

The following article proposes a reading of the book Naciste pintada by Carmen Berenguer, from a literary/sexual gender’s point of view. Berenguer moves the hegemonic limit of the private/public extents of sexual genders, through a break in the literary genre orders, where the testimony as a referential genre is the one which goes through the entire discourse.